One of my favorite designers is the Italian brand Etro, which is known for its coats and jackets in beautiful brocade and jacquard prints. There are some consignment shops on the Upper East Side that I haunt regularly looking for an Etro score. In the meantime, I made an Etro tribute coat!
My sewing journey started with two brocades in my stash that I didn’t realize worked well together until Carlos, Vogue Patterns designer, pointed out the obvious to me. One was a black brocade with gold metallic polka dots; the other was a black mini-floral brocade. They are so perfect together:
Then Carlos came to the rescue again, suggesting Butterick B6421 for this Etro-like coat I had in mind. I had completely overlooked this pattern, but once you look at the line drawing you can see it’s the way to go if you want to combine two different fabrics:
This jacket went together quickly. The only alterations I made were to narrow the A-line shape a bit at the lower side seams, and to lengthen the bottom panel so I could wear this more as a coat. (I’m also 5’8″ so I tend to have to lengthen patterns.)
For an Etro-like touch, I stitched some grosgrain ribbon atop the horizontal seams.
The inside is lined with China silk. I edged the facing with black satin piping I made.
I’m really pleased with my Etro/Carlos coat. I like the fact that I can wear it fall through spring, and that you can dress it up or down. This is a great pattern for using up small pieces of fabric in your stash. You could even try mixing up to four different fabrics—just make sure they’re all of similar weight.
Next up: Honestly, I don’t know what I want to make next. January and February are months where I’m never sure if I want to stick with sewing for winter, or just give up and move on to spring sewing. What are you working on?
Last week we talked about how to sew velvet without collapsing into a puddle of sewing misery. This week we’ve got suggestions regarding which patterns are best for velvet first-time sewers. Keeping it simple is key.
But first, let’s take a look at a velvet wrap top I just made. I used an out-of-print Kwik Sew pattern from my stash, but you could get a similar look with Butterick B6176 or McCall’s M7200. As I hadn’t sewn velvet in years, my plan was to choose a pattern on the really simple side. I wanted to concentrate on mastering velvet, and not get hung up on pattern details like fit, collars, darts, extra seams, etc. This Kwik Sew pattern had only shoulder and side seams, and a front/neck facing:
Tip: Before you hem sleeves or other parts, let your velvet garment hang for 24 hours or more. The front lower corners of my wrap top would not drape properly, so I tucked little weights inside the facing and just let the top hang for about 48 hours. This did the trick. For more tips on working with velvet, watch this video we made.
Any of these patterns would work in velvet for first-timers because they have few details. For the Butterick pattern (center) I’d eliminate the elastic casings at the sleeve and bodice hem. I’m personally thinking of making the Vogue pattern (left) in black velvet.
You can’t walk into a store these days without seeing pair after pair of velvet pants. The look is either wide leg or track pants, and these two patterns are well suited. Make things easy on yourself and go for an elastic waist.
First-time sewers of velvet should definitely opt for something more like the inspiration dress on the left—just a little shift dress. I’d use B5948 and extend it to make it dress-length. If you want more details and have previously sewn a shirtdress, try M6885, but make the collar and placket out of satin rather than velvet. Satin here will be much easier to work with than velvet.
A velvet kimono is a great layering piece and you can dress it up or down. Plus, it’s easy to sew! Feel free to tackle a velvet bomber jacket if you’ve sewn a bomber jacket before and are up for a little more of a challenge. You may want to size up on the McCall’s pattern as it has a slim fit.
So, have we given you enough ammunition to sew velvet this season? I don’t know about you but I’m hooked on this fabric! What’s next on your must-make list?
I know a few of you had some trepidations about making bomber jackets, specifically because of the whole ribbing part being new to you. Ribbing is actually one of the easiest ways to finish cuffs and jacket hems. I learned how to sew knits and ribbings when I was 13 and my mom signed me up for a class in making knit tops at the local fabric store. If I could successfully master ribbings when I was an impatient teenager, then you can too! The basic rule for attaching ribbings is Divide and Conquer, which I’ll explain later here.
We talked about what types of ribbing to use and where to purchase ribbing in this post. The most important things to look for in a ribbing are good recovery—meaning it won’t stretch out of shape and turn into a baggy mess—and comfort factor. If a ribbing feels scratchy to the touch, imagine how it will feel around your wrist—icky.
Cuffs: Very easy to attach. Use the pattern piece we give you to cut your size, but make sure the width is comfortable around your wrist. I always like to push my sleeves up, so I check that my arm won’t feel strangled by the ribbing if I do wear my sleeves at a 3/4 length.
Stitch the ribbing seam as directed, then fold your cuff so the seam is on the inside and the raw edges are even. Lightly press the fold. Now here’s where the whole Divide and Conquer thing comes in. Divide your cuff at the raw edges into four equal sections. Do the same with your sleeve edge. I usually make the sleeve seam and cuff seam into one of the section points.
Now attach your ribbed cuff to the right side of the sleeve, raw edges of cuff and sleeve together, and matching section points. Stitch through all layers, stretching the ribbing as needed between section points. Check to see that everything looks the way it should, then finish the seam by serging it.
Jacket band: The same principle of dividing and conquering applies here too. Use our pattern guides to cut out your ribbing, but make sure the ribbing is long enough or short enough to hug your high hip the way you want it to. This is a matter of personal preference: some bombers are tight here, others are loose.
Attach the front band pieces as directed (these are the big tabs by the zipper that are usually made from your jacket fabric and not ribbing), then attach the ribbing as directed to the front band. Just as you did with the cuffs, divide the ribbing into four sections and mark with pins. Then halve the sections again. Mark off the jacket hem with the same amount of equal sections. Pin ribbing to right side of jacket, matching pins. TRY ON for fit. Stitch, gently stretching the ribbing as needed between sections. Finish the seam by serging.
Neckline: For McCall’s M7100, cut your ribbing for the neckline using the pattern piece. Pin in place, leaving room to turn the jacket’s front edges under by 5/8″. (You will be stitching the zipper next.) Important: TRY ON jacket and see how the neck ribbing fits. The ribbing should gently hug your neck. If it doesn’t, try stretching the ribbing at the neckline and repin it. Try on again and repeat as needed to get this kind of fit:
Once you are satisfied, baste the ribbing in place and stitch. If you aren’t lining your jacket you’ll want to finish this seam somehow so it’s not scratchy against your neck. I recommend binding it with ribbon or satin binding; see finishing options here.
Note: For my version of Butterick B6181, I wanted to use ribbing instead of encased elastic. Ribbing worked fine at the cuffs and hem, but it was a minor fail at the neckline. This is because A), the neckline on this pattern is cut low; and B), my ribbing was on the thicker side and couldn’t stretch satisfactorily here to hug my neck. So I ended up making the ribbing smaller at the neck for this pattern.
So, all in all, attaching knit ribbing is generally pretty easy to do. I think the part that poses some trouble for people is where the front band piece is attached to the jacket, and then the ribbing is attached to the front band and then to the jacket. (Steps 27-31 in B6181 and steps 25-33 in M7100.) Here are some images that might help you visualize these steps a little better:
The front band serves the purpose of enclosing the zipper and providing a place to attach the ribbing. As you can see in this diagram, the ribbing/jacket seam is left open, so you can easily serge the seam after you’ve stitched it for a neat finish.
I hope this post helps you with applying ribbing to your jacket. Feel free to leave any questions or suggestions in the comments. And don’t forget you can still join our Bomber Jacket Facebook Group! #BomberJacketSewAlong